New Delhi: The Bharat Mandap, India’s official entry at World Expo 2025 in Osaka, has emerged as one of the most admired pavilions at the global event. Ranked among the top five by Japanese authorities and visitors alike, it shares the spotlight with pavilions from the United States, Italy, France, and Japan.

The recognition came through a review shared by Yamamoto-san, Deputy Pavilion Director and representative of the Japan Travel Bureau, who cited consistent visitor feedback and growing social media engagement as key indicators of its success.

In a departure from past editions, the Ministry of Culture has taken the lead in curating the Pavilion, a role earlier held by the Ministry of Commerce. The Indira Gandhi National Centre for the Arts (IGNCA) was brought on board as the nodal agency for the project, tasked with conceptualising and delivering a presentation of India’s culture, values, and innovation.

“The Pavilion is a comprehensive reflection of India’s ancient knowledge systems, modern technological aspirations, and growing global footprint,” said Dr Sachchidanand Joshi, Member Secretary of IGNCA.

Strategically situated in the ‘Connecting Lives Zone’, the Pavilion introduces international audiences to India's traditions and contemporary pursuits—ranging from sustainable living and innovation to Ayurveda and space exploration.

The Bharat Mandap stands out not only for its architecture but also for its atmosphere. Designed to be welcoming and inclusive, it offers smooth access and hands-on experiences, in contrast to the queues and restrictions common at many other national pavilions.

Highlights include:

• Thematic sections on ISRO, Innovation, Ayurveda, and Sustainability
• Cultural performances such as Garba dances and yoga demonstrations
• Indian cuisine offerings that have quickly become a hit with visitors
• Family-focused zones featuring traditional dress and handicrafts
  
  

Beyond its vibrant showcases, the Pavilion weaves in deeper philosophical elements. Inspired by the Ajanta cave murals, a large image of Padmapani Bodhisattva stands at the centre, anchoring the Pavilion’s message of compassion and interconnectedness. Artistic motifs such as the Blue Lotus façade, a Bodhi Tree installation, and flowing water features contribute to a sensory representation of India’s spiritual identity.

The structure also includes spaces like the Lotus Courtyard and Oneness Lounge, visual interpretations of the age-old Indian belief in Vasudhaiva Kutumbakam – the idea of the world as one family.

“Despite receiving space allocation at a later stage, the IGNCA executed the vision with exceptional speed and finesse,” a statement from the organisers said. “Working closely with Japanese authorities, they created a Pavilion that seamlessly integrates heritage and innovation.”

Speaking on IGNCA’s approach, Dr Joshi said, “To represent India on this global stage is not just about showcasing culture—it is about inviting the world into India’s living heritage. The Bharat Mandap is a space where tradition meets transformation, where the eternal Indian spirit engages with the global future.”

The World Expo in Osaka, themed ‘Designing Future Society for Our Lives’, runs until 13 October 2025. With over 160 countries and 9 international organisations participating, it is expected to attract 28 million visitors. Amid this global gathering, the Bharat Mandap has positioned India not only as a cultural powerhouse but also as a country with a keen eye on the future.

BI Bureau